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The artwork is blunt. Across the chest, in warning-sign lettering: NOT FRIENDLY DO NOT TOUCH. Above or beside it, a yellow caution triangle. Inside the triangle, a hand with a diagonal bar through it — the standard visual grammar of prohibition,...
The garment preview shows four letters and a full stop: meh. — lowercase, bold, white, set large against a dark shirt. No illustration. No secondary slogan. No animal, no badge, no flourish. The word sits there like a note left on...
The shirt shows four words in white capitals: I HAD POTENTIAL. Beneath them, a white curved ramp descends from left to right. At the upper left ledge sits a dashed empty circle. At the lower right flat ledge rests a solid...
On a dark shirt, centred, in lowercase, sits the word meh. It is very small. There is no illustration, no animal, no slogan beyond the four letters and a full stop. The scale is the first thing you notice, because it...
Picture the last week of a peer research project in a Sefton youth centre. The young researchers have finished their interviews. The university partner has the transcripts on a secure drive. The funder wants the final report. Someone asks, reasonably, what...
Four root vegetables sit in a row, smiling. A carrot, a radish, a beet and an onion, each with its roots visible in the soil beneath it. Around them, in a ring of capitals, runs the line: LET’S ROOT FOR EACH...